Artist as Curator Issue #0

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“This is the introductory issue of a serial publication that examines a profoundly influential but still under-studied phenomenon, a history that has yet to be written: the fundamental role artists have played as curators.” – Publisher’s text

Two essays were issued as loose inserts in ten issues of Mousse over the two-year project, in total examining twenty seminal art exhibitions curated by artists. The series was edited by Elena Filipovic, published by Mousse, and anthologised as a complete publication at the end of the two-year project. The series was launched in the December 2013 issue of Mousse.

Title: When Exhibitions Become Form: On the History of the Artist as Curator. From Mousse #41
Author: Elena Filipovic (ed.)
Publisher: Mousse Magazine
Publication date: December–January 2013
Binding: Staple Softcover
Pages: 30
Condition: Very good

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“This is the introductory issue of a serial publication that examines a profoundly influential but still under-studied phenomenon, a history that has yet to be written: the fundamental role artists have played as curators.” – Publisher’s text

Two essays were issued as loose inserts in ten issues of Mousse over the two-year project, in total examining twenty seminal art exhibitions curated by artists. The series was edited by Elena Filipovic, published by Mousse, and anthologised as a complete publication at the end of the two-year project. The series was launched in the December 2013 issue of Mousse.

Title: When Exhibitions Become Form: On the History of the Artist as Curator. From Mousse #41
Author: Elena Filipovic (ed.)
Publisher: Mousse Magazine
Publication date: December–January 2013
Binding: Staple Softcover
Pages: 30
Condition: Very good

“This is the introductory issue of a serial publication that examines a profoundly influential but still under-studied phenomenon, a history that has yet to be written: the fundamental role artists have played as curators.” – Publisher’s text

Two essays were issued as loose inserts in ten issues of Mousse over the two-year project, in total examining twenty seminal art exhibitions curated by artists. The series was edited by Elena Filipovic, published by Mousse, and anthologised as a complete publication at the end of the two-year project. The series was launched in the December 2013 issue of Mousse.

Title: When Exhibitions Become Form: On the History of the Artist as Curator. From Mousse #41
Author: Elena Filipovic (ed.)
Publisher: Mousse Magazine
Publication date: December–January 2013
Binding: Staple Softcover
Pages: 30
Condition: Very good

 
Michael Kidner Poster/Pamphlet [Possibly Lucy Milton Gallery]
£15.00
Douglas Binder, Whitechapel Gallery London, 1971
£8.00
Matt Rugg, New Art Centre, London, 1966
£28.00
Jeffrey Steele. Clare Hall Gallery, Cambridge, 1992
£10.00
Kerry Trengove, an eight day PASSAGE. The Acme Gallery, London, 1977
£25.00